Gestures (basic and academic concepts)
Gestures are intentional hand movements, facial expressions, body postures, and pantomime that the teacher pairs with speech to carry meaning that words alone may not yet convey to an emergent bilingual student. They make spoken and written language comprehensible by attaching a visible, physical referent to vocabulary and concepts, from everyday actions (open, sit, point) to academic ideas (compare, increase, cause and effect, rotate). Used well, gestures invite students to respond physically and eventually to produce the same gestures themselves, building a multimodal memory trace that links sound, image, and movement. This is a temporary scaffold that draws on a resource every learner already brings to the classroom: the body and the human practice of gesturing.
When to use it
Use gestures whenever new or abstract language could outpace a student's current English comprehension, especially during instruction, directions, vocabulary introduction, read-alouds, and modeling of academic processes. They are most essential for students at the earliest proficiency levels (Pre-Production and Beginning), who rely heavily on nonverbal context to access meaning, but they remain valuable for all levels when introducing dense academic terms, multi-step procedures, or culturally unfamiliar concepts. Gestures are especially appropriate when you want to keep instruction in English (rather than translating everything) while still ensuring the message is understood, and when you want to lower the affective filter by giving students a low-pressure, nonverbal way to show comprehension before they are ready to speak.
How to implement it
- 1During lesson planning, identify the 3 to 6 key words or concepts that carry the most meaning (action verbs, academic process terms, directional or quantitative language) and decide on a clear, consistent gesture for each before teaching.
- 2Pair the gesture with the spoken word every time, slowing your speech slightly and pausing so students can connect the movement to the sound and to any accompanying visual or object.
- 3Build a shared, repeated gesture bank for recurring academic language (compare, predict, increase, sequence) so the same gesture always signals the same idea across lessons and content areas.
- 4Move from teacher-only gestures to student participation. Have students perform the gesture with you (Total Physical Response style), then on their own as they hear or say the word, since reproducing a gesture strengthens memory more than only watching it.
- 5Check comprehension nonverbally by asking students to 'show me' a concept with a gesture, which lets Pre-Production and Beginning students demonstrate understanding without speaking.
- 6Combine gestures with other scaffolds (visuals, realia, sentence frames, cognates) rather than relying on gesture alone, and invite students to share gestures from their home language and culture, since some gestures carry different meanings across cultures.
- 7Plan to fade the scaffold deliberately. Reduce gesture frequency as students internalize vocabulary, and shift toward students gesturing to explain ideas to peers, so the support is gradually removed as proficiency grows.
Why it works for emergent bilingual students
Gestures support emergent bilinguals by making input comprehensible, which Krashen identifies as the central condition for language acquisition. A gesture supplies the extralinguistic context that lets a learner understand a message slightly beyond their current English level, what Krashen calls i+1 (Krashen, 1982). This is an asset-based scaffold because it activates a resource every student already commands fluently, the body and the human practice of gesturing, rather than treating developing English as a deficit. Research on Total Physical Response and on gesture and memory shows that pairing words with self-produced movement creates a richer, multimodal trace (visual plus motor), which supports both comprehension and longer-term retention of second-language vocabulary (Asher, 1969; Tellier, 2008). Gestures also lower the affective filter by giving newcomers a safe, nonverbal channel to show understanding during the silent period, honoring the learner's competence while expressive English emerges. As proficiency develops, the gesture scaffold is intentionally faded, and students themselves use gesture to negotiate meaning and explain academic ideas to peers.
Across proficiency levels
Pre-Production
Gestures are heaviest and most explicit here. The teacher gestures with nearly every key word and direction, pairs each gesture with realia or a picture, and accepts a physical response (point, act it out, show me) instead of speech. This honors the silent period: students demonstrate comprehension through the body before they are expected to produce English.
Beginning
Gestures remain frequent and are paired with single words and short phrases. Students now reproduce gestures while repeating words (Total Physical Response style), strengthening the motor-memory link, and may use a gesture plus one or two words to communicate. The teacher still gestures with most new vocabulary and begins pairing gestures with simple sentence frames.
Intermediate
Gestures become more selective and targeted to new or abstract academic terms rather than everyday vocabulary the student now controls. The teacher gestures to clarify multi-step processes and academic language (cause and effect, compare, sequence) and increasingly prompts students to gesture as they explain their thinking, shifting ownership of the scaffold toward the learner.
High Intermediate / Advanced
At High Intermediate and Advanced levels the scaffold is largely faded for routine language and reserved for genuinely new, dense, or abstract academic concepts. Students use gesture spontaneously and strategically, as proficient speakers do, to emphasize, illustrate, and negotiate meaning while explaining ideas to peers. The teacher models gesture mainly for sophisticated or unfamiliar terminology, then withdraws it as the language is internalized.
Examples
- •Saying 'open your book' while miming the opening of a book, and 'point to the title' while pointing, so a Pre-Production newcomer follows the direction without needing translation.
- •Teaching the science verb 'increase' by raising a hand steadily upward and 'decrease' by lowering it, then having students perform the gestures as they read a line graph, linking the academic term to a physical motion.
- •Introducing 'compare' by holding both hands up side by side and looking between them, then reusing that exact gesture every time the word appears across math, science, and ELA so it becomes a shared classroom signal.
- •During a read-aloud, acting out story verbs (sneak, gallop, whisper) so Beginning students grasp the action and join in performing the gesture as they echo the word.
- •Checking comprehension by asking 'Show me what a circle looks like' or 'Show me cause and effect with your hands,' letting students who are not yet speaking demonstrate understanding nonverbally.
- •Having Intermediate students explain a water-cycle diagram to a partner using gestures for evaporation (fingers rising) and precipitation (fingers falling), transferring the gesture scaffold from teacher to learner.
Research basis
Comprehensible input is the central condition for second language acquisition, and teachers make input comprehensible by supplying extralinguistic context such as gestures and visuals so learners understand language slightly beyond their current level (i+1).
Krashen, S. D. (1982). Principles and practice in second language acquisition. Pergamon Press.
Pairing target-language words and directions with physical movement (Total Physical Response) builds language through a listening-then-acting cycle that leverages a motor-memory link supporting retention.
Asher, J. J. (1969). The total physical response approach to second language learning. The Modern Language Journal, 53(1), 3-17. https://doi.org/10.1111/j.1540-4781.1969.tb04552.x [link]
Gestures, and especially having young learners reproduce them, significantly improve memorization of second-language vocabulary, because a reproduced gesture adds a motor modality that leaves a richer, multimodal trace in memory.
Tellier, M. (2008). The effect of gestures on second language memorisation by young children. Gesture, 8(2), 219-235. https://doi.org/10.1075/gest.8.2.06tel [link]
Embodied cognition research indicates that engaging the body and sensorimotor systems through gesture can function as an effective cognitive tool that enhances comprehension and long-term retention of second-language vocabulary.
Macedonia, M. (2025). Your body as a tool to learn second language vocabulary. Behavioral Sciences, 15(8), Article 997. https://doi.org/10.3390/bs15080997 [link]
The SIOP Model identifies gestures, modeling, pantomime, and other visual and nonverbal supports as core comprehensible-input techniques for making grade-level academic content understandable to English learners.
Echevarria, J., Vogt, M., & Short, D. J. (2017). Making content comprehensible for English learners: The SIOP model (5th ed.). Pearson.
The new Texas English Language Proficiency Standards define five proficiency levels (Pre-Production, Beginning, Intermediate, High Intermediate, and Advanced) and call for linguistically accommodated, scaffolded instruction matched to each student's level, with implementation beginning in the 2026-2027 school year.
Texas Education Agency. (2025). English language proficiency standards (19 Texas Administrative Code Chapter 120, Subchapter B). https://tea.texas.gov/curriculum-and-instruction/english-language-proficiency-standards [link]
Sources reviewed by an independent second-language-acquisition specialist and an adversarial citation audit.
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